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“The adverts and music videos paid my rent,” he says, “but they were also my film school.
His music videos include The Universal for Blur, which pastiched Stanley Kubrick’s A Clockwork Orange, and ‘Virtual Insanity’ for Jamiroquai, in which the band’s lead singer, Jay Kay, slipped and slid across a polished and apparently mobile grey floor, like a jazz-funk Buster Keaton.
And it’s all real.” Two years and four months after Parkhead, Glazer, 48, is sitting in the office of a London film PR company, fiddling with an electronic cigarette.
In the interim, Under the Skin has had its world premiere at the 2013 Venice Film Festival, where it was met with both sustained applause and frantic booing, and reviews that strained at either end of the five-star scale.
But if any film could justify an almost decade-long gestation period, it’s this one.
It is loosely based on the science-fiction novel of the same name by Michel Faber, in which an alien called Isserley, disguised as an attractive woman, prowls the Scottish highlands for hitchhikers whom she entices, captures and butchers for their meat.